“The only true voyage, the only Fountain of Youth,” recited Orphu, “would be found not in traveling to strange lands but in having different eyes, in seeing the universe with the eyes of another person, of a hundred others, and seeing the hundred universes each of them sees, which each of them is.”
The two Terror Birds had stopped five paces from the carcass, their eyes on Odysseus now. Each bird was more than nine feet tall, with short white feathers on their muscular bodies, black feathers on their vestigial wings, and powerful legs as thick as Ada’s torso. The birds’ beaks had to be at least four feet long, wickedly curved, red around the mouth—as if dipped in blood—and controlled by powerful jaw muscles that bulged below the half-dozen long red feathers that protruded from the back of each Terror Bird’s skull. Their eyes were a terrible, malevolent yellow ringed by blue circles and set under saurian brows. In addition to their rending predator beaks, the birds had powerful footclaws—each as long as Ada’s forearm—and an even more wicked-looking claw at the bend of each vestigial wing.
Despite his self-mockery, he knew that he now owned the gift of being able to look at things—people, places, things, feelings, himself—with the kind of recognition that can only come from maturing into nuance, growing into oneself, and in the learning how to accept ironies and metaphors and synecdoches and metonymies not only in language, but in the hardwiring of the universe.
Achilles throws up again. This time it is as an aesthetic statement more than a reaction to optical vertigo.